Some random paraphrased snippets from the program:
- The influence of a vital person vitalizes.
- One should seek the experience of being alive, not seek the meaning of life.
- Consider intention (aesthetic) versus nature (expressive)...the beauty of a spider's web comes out of the spider's nature.
- Myths and dreams come from realizations, find expression in symbolic form.
- Myths need to change as the world changes. The world is changing too fast for new mythology.
- Art reveals through the object the radiance, speaks to the order in one's own life.
- There could be no relationship with that which is absolute other (lots in the program about dualities...male/female, man/god, good/evil, man/nature, love/pain).
- Images/symbols of myth are reflections and potentialities of all of us.
- Myth, like poetry, attempts to say what cannot be said with words.
- Poetry is a language that has to be penetrated...it opens, doesn't shut you off...it is the precise choosing of words that has implications past the words.
- Your (image of) god is your ultimate barrier to the transcendent experience.
- This moment now is the heavenly moment.
- One must have a sacred place.
- Myths are basically the same all over the world, in separate cultures and separate time periods...two possibilities for this are diffusion (mythology travels with traditions that travel through cultures) and the human psyche is essentially the same all over the world.
2 comments:
It sounds too intriguing. But I wonder if some of the statements can be taken alone or together as one pleases. For instance - Can it be simultaneously true that myths are basically the same everywhere yet the world is moving too fast to create new myths?
Ah good point...I think in my oversimplified, excerpted statements I, well, oversimplified. I think it's probably more appropriate to say we need to update the myths with contemporary, relevant faces/characteristics.
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