A writer must write the bad poems in order to approach the good ones--finicky ways will dry up the sources.
Essentially the idea is to lower one's standards. Although I've heard (and tried to practice) this advice fairly regularly in my writing career, it still seems foreign to me (shall I say, un-American?). We are trained to set goals, make progress, achieve, have something outward to show for our labor (i.e., publications, awards for the writer). Certainly goals serve a purpose, but it is good to remember a writer is someone who writes, not someone who publishes, not even someone who writes well necessarily. By lowering or removing expectations (and as a result, nixxing those pesky, shaming, blaming voices when expectations aren't met), the writer writes for the sake of writing, for the sake of language and interaction with the language. Anything that might result from the writing process, say a finished product or publication, is just gravy.
On the flip side of "no blame" during the creative process is "no praise," no criticism or judgment of any sort. I've practiced this in the earliest stages of writing. This freedom from judgment is a critical component of Writing Practice, which in other circles is called free-writing or pre-writing. Whether in a group or alone, I have learned to turn off some of the censors/editors during the first stages of writing. However as drafts progress, as I become more committed to a piece, the internal editor becomes louder, more insistent, either drawing smiley faces or circling flaws in red ink. Okay, the editorial process cannot be shrugged entirely; sometimes I need to hear from the internal editor that I'm on the right track or that such and such construction is awkward. But I think the later stages of writing--at least sometimes--could benefit from a no praise/no blame philosophy and the open dialog with language it encourages. As simple as applying the philosophy, right (insert smiley face followed by #@##&!)?
No comments:
Post a Comment